![]() ![]() Beaghen pulls some marvellous tones and Armstrong is a consummate guitar pro, adding economic solos with the right amount of flair. That’s Bowie sideman Kevin Armstrong on guitar with ex-Madness member Seamus Beaghen on guitar and keys. Having a band based in the UK makes perfect sense with the European festival market a lynchpin of Iggy’s live commitments. Remember how the Iggy of 1972 deigned to play with Poms, calling on the Asheton brothers to join him and James in London? Not so much these days. We do gratefully receive classics like “Five Foot One”, “Some Weird Sin”, “Repo Man”, “Sixteen” and a flamethrower “Sick Of You” that shakes the Opera House crowd to the core.Īnd the band! The British boys. We don’t get anything from “Post Pop Depression” and that shouldn’t be a surprise, given it was a project built on, and involving, a specific band. A sprinkling of Stooges songs but no over reliance. They add handclaps in some songs.įrom “Dog”, it’s a dizzying stumble through the back catalogue. The pair remain on stage all night, adding thoughtfully arranged parts that sit just right without swamping the songs. There’s a horn section at stage right and they’re punctuating “Dog” with stabbing accents. Many Iggy bands have tried this one but few have succeeded in nailing it like the original. The band launches into “I Wanna Be Your Dog”. Orchestral music signals the band onto the stage just a minute or two after the appointed time of 8pm. For all the tourists that it attracts, the Opera House is like a Royal Easter Show sample bag - it looks great from the outside but it’s far too often full of shit. So “staid” doesn’t adequately describe it. A local band once got banished from the place for inciting a stage invasion. Stevie Ray Vaughan? I am reliably informed that the sound can be iffy, depending on where you sit. I can’t remember the last time I was in this place for a rock and roll act. There’s no support band at the Opera House tonight. Tonight’s stand at the Sydney Opera House is one of three sideshows to Bluesfest, his presence on that festival an anomaly in an otherwise numbing procession of mainstream acts. Iggy’s back in Australia for what must be his last visit. Nobody begrudges Iggy the occasional squat at the stage lip to commune with fans or an occasional lie down.īut you try and find a more energetic and consummate rock and roll frontman and you’ll quickly find he or she doesn’t exist. The stage-dives are gone - at least where hard-backed seats are fixed to the floor - and he’s clearly pacing himself to go the distance.Įven the on-the-spot electro-shock jumps and hip-shakes have faded. It is true that at age 71 - a pubic hair’s breadth away from bringing up 72 - James Osterberg moves a little more gingerly these days. Stooges excepted, this was close to his high-point. The Pop has been a semi-regular tourist to Australia since 1983 and I’ve caught him on every run but one. Iggy Pop and band put the torch to the Sydney Opera House the same night that a fire devastated Notre Dame in Paris.
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